{"id":2939,"date":"2025-06-04T20:29:33","date_gmt":"2025-06-04T20:29:33","guid":{"rendered":"https:\/\/www.laspa.slg.br\/?p=2939"},"modified":"2025-06-04T20:44:50","modified_gmt":"2025-06-04T20:44:50","slug":"uma-velha-senhora-com-seu-pequeno-pet-dog-haraway-in-gane-2006","status":"publish","type":"post","link":"https:\/\/www.laspa.slg.br\/en\/2025\/06\/04\/uma-velha-senhora-com-seu-pequeno-pet-dog-haraway-in-gane-2006\/","title":{"rendered":"Uma velha senhora com seu pequeno <em>pet dog<\/em>? (Haraway <em>in<\/em> Gane 2006)"},"content":{"rendered":"<p>Obs: &#8220;NG&#8221; indica falas de Nicholas Gane, e &#8220;DH&#8221; indica falas de Donna Haraway. Na aus\u00eancia de indica\u00e7\u00e3o, a fala \u00e9 de Haraway.<\/p>\n<p><strong>HARAWAY &#038; LATOUR<\/strong><\/p>\n<blockquote><p>I give more space to the critic in the basement than Bruno Latour. I have more sympathy with critical theory than Bruno does \u2013 much more. And I\u2019m much more willing to live with indigestible intellectual and political heritages. I need to hold on to impossible heritages more than I suspect Bruno wants to. Our kinds of creativity take different directions but they\u2019re allied. (Haraway <em>in<\/em> Gane 2006:139)<\/p>\n<p>The fourth wound to primary narcissism \u2013 this question of the relationalities of us with that which isn\u2019t human \u2013 begins to get at our constitutive relationalities with the machinic but also more than the machinic \u2013with the non-living and the non-human. Bruno Latour is trying to do that too. I think this is where lots of us are because this is where many urgent questions in the world are. (Haraway <em>in<\/em> Gane 2006:141)<\/p>\n<p><strong>NG<\/strong>: In the \u2018Manifesto\u2019 you declare that \u2018Our machines are disturbingly lively, and we ourselves frighteningly inert\u2019 [&#8230;]. Is this a playful statement aimed at provoking thinkers who continue to treat human agency as something sacred, prior to or independent of machines, or is it a more serious declaration about the emergence of intelligent technologies that possess creative powers and agencies that rival those of so-called \u2018human\u2019 beings? <strong>DH<\/strong>: It is both. And it is also complaint about the passivity of my own political friends and myself and my intellectual buddies. It\u2019s a complaint. It\u2019s like Bruno Latour\u2019s complaint about the stupidity of critical theorists in just doing critique once again, in being stuck where Adorno and Horkheimer were much more legitimately stuck. What they did then needed to be done. But it is crazy to be stuck in that relentless complaint about technology and techno-culture and not getting the extraordinary liveliness that is also about us. It\u2019s a very grumpy remark about the kind of work that needs to be done, and which many people are doing. All you have to do is look where creative cultural and intellectual work is being done on the ground, in and out of writing technologies of all sorts. (Haraway <em>in<\/em> Gane 2006:141-2)<\/p>\n<p><strong>NG<\/strong>: When I spoke to Bruno Latour he said that the big challenge now is to work out how to collect or classify things if you think the world through connections. <strong>DH<\/strong>: Exactly right, and that is where I think Bruno and I are in relentless alignment, even as we give each other indigestion about some of the ways we do it. I think we love each other\u2019s work because that is what matters. (Haraway <em>in<\/em> Gane 2006:145)<\/p>\n<p><strong>DH<\/strong>: [\u2026] I refused to read Deleuze and Guattari until last year. I\u2019m a very recent reader, and now I know why I refused to read them. Everyone kept saying I\u2019m a Deleuzian, and I kept saying \u2018no way\u2019. This is one of the ways women thinkers are made to seem derivative of male philosophers, who are often their contemporaries \u2013 made to be derivative and the same, when we are neither. My Deleuze is Rosi Braidotti\u2019s feminist trans-mutant, a very different kettle of fish [&#8230;]. <strong>NG<\/strong>: I\u2019ve noticed this tendency in Latour. <strong>DH<\/strong>: He\u2019s been called to account on it many times. He\u2019s reformable, he\u2019ll come round! In print, he cites Stengers now, and Charis Thompson, and Shirley Strum, and even me [&#8230;]. The citation practices are not symmetrical, but here the exchange is real. (Haraway <em>in<\/em> Gane 2006:156-7)<\/p><\/blockquote>\n<p><strong>\u00c9TICA<\/strong><\/p>\n<blockquote><p>I think that curiosity \u2013 the beginning of ful\ufb01lment of the obligation to know more as a consequence of being called into response \u2013 is a critical axis of an ethics not rooted in human exceptionalism. [\u2026] We need new category work. We need to live the consequences of non-stop curiosity inside mortal, situated, relentlessly relational worlding. (Haraway <em>in<\/em> Gane 2006:143)<\/p><\/blockquote>\n<p><strong>DELEUZE e GUATTARI<\/strong><\/p>\n<blockquote><p>Oddly then, and I think tragically, Derrida gets doubly caught in the very masculine exceptionalism, called human exceptionalism, that he is deconstructing, \ufb01rst, by his single-eyed vision of the one and only unclothed organ and second, by his failing the obligation of curiosity about what the cat cared about in that looking. [\u2026] Deleuze and Guattari are much, much worse. I think their becoming-animal chapter [&#8230;] is an insult because they don\u2019t give a \ufb02ying damn about animals \u2013 critters are an excuse for their anti-oedipal project. Watch the way they excoriate old women and their dogs as they glorify the wolf pack in their \u2018horizon of becoming\u2019 and lines of \ufb02ight. Deleuze and Guattari make me furious with their utter lack of curiosity about actual relations among animals and between animals and people, and the way they despise the \ufb01gure of the domestic in their glori\ufb01cation of the wild in their monomaniacal anti-oedipal project. And people pick them up as if they were helpful in \ufb01guring sociality beyond the human. Nonsense! Despite his cyclopean lapses, Derrida is much more helpful. (Haraway <em>in<\/em> Gane 2006:143)<\/p>\n<p>It\u2019s not so much \u2018workers of the world unite\u2019 \u2013 though it is also that, along with the far from obvious task to \ufb01gure who the workers of the world are. [&#8230;] But for me it\u2019s more \u2018companion species of the world unite\u2019. [\u2026] [N]ow I\u2019m trying to use that unsophisticated term \u2013 companion species \u2013 that too many folks want to mean Deleuze\u2019s despised old lady with her small pet dog. (Haraway <em>in<\/em> Gane 2006:156)<\/p>\n<p>The \u2018Manifesto\u2019 argued that you can, even must, inhabit the despised place. The despised place then was the cyborg, which is not true now. In a way, the despised place now is that old lady with her dog in Deleuze and Guattari\u2019s chapter on \u2018Becoming-Animal\u2019. [\u2026] I refused to read Deleuze and Guattari until last year. I\u2019m a very recent reader, and now I know why I refused to read them. Everyone kept saying I\u2019m a Deleuzian, and I kept saying \u2018no way\u2019. This is one of the ways women thinkers are made to seem derivative of male philosophers, who are often their contemporaries \u2013 made to be derivative and the same, when we are neither. My Deleuze is Rosi Braidotti\u2019s feminist trans-mutant, a very different kettle of \ufb01sh (e.g. Braidotti, 2006) (Haraway <em>in<\/em> Gane 2006:156)<\/p><\/blockquote>\n<p><strong>MATERIALIDADE<\/strong><\/p>\n<blockquote><p><strong>DH<\/strong>: [&#8230;] I agree with Kate Hayles for the most part, but I would it put it a little differently that maybe has some signi\ufb01cant difference. Of course there are barriers. I can\u2019t believe the blissed-out technoidiocy of people who talk about downloading human consciousness onto a chip. <strong>NG<\/strong>: You mean Hans Moravec? <strong>DH<\/strong>: Yes, I mean these guys actually talk about this \u2013 and they are guys. It\u2019s a kind of techno-masculinism of a self-caricaturing kind. They ought to be ashamed of themselves! I \ufb01nd myself regularly unable to believe they mean it. And then I read their stuff and I have to get it that they do mean it. It\u2019s stupid and silly, and hardly worth commenting on except that powerful people turn it into projects and so you have to comment. (Haraway <em>in<\/em> Gane 2006:146)<\/p><\/blockquote>\n<p><strong>CR\u00cdTICA DA IMATERIALIDADE<\/strong><\/p>\n<blockquote><p>the virtual isn\u2019t immaterial. Anyone who thinks it is, is nuts. (Haraway <em>in<\/em> Gane 2006:148)<\/p>\n<p>Believing that somehow there is this seamless, friction-free becoming is an ideological mistake that we ought to be astonished that we can still make. (Haraway <em>in<\/em> Gane 2006:148)<\/p><\/blockquote>\n<p><strong>HISTORICIDADE DO CIBORGUE<\/strong><\/p>\n<blockquote><p>I think the cyborg story is a fairly historically limited one, and it\u2019s not all human\u2013machine joinings. I\u2019m interested in historical differences as much as I am [in] continuity and I think the cyborg way of doing who we are has a pretty recent history. Maybe you could date it from the late 19th century, or maybe it\u2019s better to track it though the 1930s, or through the Second World War, or after. Depending on what you want to foreground, you could track it in different ways, but it\u2019s pretty recent. [\u2026] Cyborgs have to do with this interesting critter called information, and you really can\u2019t treat that a historically \u2013 as if \u2018information\u2019 refers to something existing all the time, everywhere. That\u2019s a mistake because you don\u2019t get at the ferocity and speci\ufb01city of now. (Haraway <em>in<\/em> Gane 2006:146)<\/p><\/blockquote>\n<p><strong>SER HUMANO \u00c9 SER UMA COLE\u00c7\u00c3O DE RELACIONALIDADES<\/strong><\/p>\n<blockquote><p>Human beings have always been in partnership. To be human is to be a congeries of relationalities, even if you are talking about Homo erectus. So it\u2019s relationalities all the way down, but they aren\u2019t always about machines, much less information technologies. (Haraway <em>in<\/em> Gane 2006:147)<\/p><\/blockquote>\n<p><strong>BREAKDOWN<\/strong><\/p>\n<blockquote><p>Something is really seriously wrong and yet that\u2019s not all that\u2019s happening. That\u2019s our resource for remaking connections \u2013 we\u2019re never starting from scratch. (Haraway <em>in<\/em> Gane 2006:151)<\/p>\n<p>Some of the phenomenologists in Chile in the period before Pinochet were interested in breakdown. This is an extraordinarily interesting place, where you get at things that aren\u2019t working and where the fantasy of perfect communication isn\u2019t sustainable. Maybe because of my Catholic inheritance of fascination with \ufb01guration, I\u2019m interested in tropes as places where you trip. Tropes are way more than metaphors and metonymies and the narrow orthodox list. Noise is only one \ufb01gure, one trope that I\u2019m interested in. Tropes are about stutterings, trippings. They are about breakdowns and that\u2019s why they are creative. That is why you get somewhere you weren\u2019t before, because something didn\u2019t work. (Haraway <em>in<\/em> Gane 2006:151-2)<\/p>\n<p>COMPARAR COM ESSA FRASE DE HARAWAY EM OUTRA ENTREVISTA: Terry was one of the early Artificial Intelligence researchers when he was a young graduate student and now teaches at Stanford. Philosophically he deepened his phenomenological critique with Flores, who was a political refugee from Allende&#8217;s Chile. So the combination of information technologies, phenomenology, and the realities of harsh lived political realities are all very much a part of their perspective. For them breakdown is a word for those moments when denaturalization occurs, when what is taken for granted can no longer be taken for granted precisely because there is a glitch in the system. (HARAWAY, Donna. 1998. <em>How like a leaf: an interview with Thyrza Nichols Goodeve<\/em>. New York: Routledge, p.114-5)<\/p><\/blockquote>\n<p><strong>FABULATION as LEAP OF FAITH (fact\/fiction)<\/strong><\/p>\n<blockquote><p>There\u2019s some kind of without warrant insistence that the fantasy of an elsewhere is not escapism but it\u2019s a powerful tool. [\u2026] You don\u2019t have any ground for that, it\u2019s a kind of act of faith. (Haraway <em>in<\/em> Gane 2006:152)<\/p>\n<p>Fact and \ufb01ction have this interesting etymological connection and fact is this past participle \u2013 already done, and \ufb01ction is still in the making. (Haraway <em>in<\/em> Gane 2006:153)<\/p>\n<p>Clynes and Kline are a great example. They were actually involved in real projects, in an institutional environment of multiple real projects. Social reality was being made to happen there, and it was fantastically dreamworked. (Haraway <em>in<\/em> Gane 2006:153)<\/p><\/blockquote>\n<p><strong>FUN\u00c7\u00c3O e FUNCIONAMENTO<\/strong><\/p>\n<blockquote><p>I think almost any serious knowledge project is a thinking technology insofar as it re-does its participants. It reaches into you and you aren\u2019t the same afterwards. Technologies re-arrange the world for purposes, but go beyond function and purpose to something open, something not yet. (Haraway <em>in<\/em> Gane 2006:154)<\/p><\/blockquote>\n<p>GANE, Nicholas. 2006. When we have never been human, what is to be done? Interview with Donna Haraway. <em>Theory, Culture &#038; Society<\/em> 23(7-8):135-58.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Obs: &#8220;NG&#8221; indica falas de Nicholas Gane, e &#8220;DH&#8221; indica falas de Donna Haraway. Na aus\u00eancia de indica\u00e7\u00e3o, a fala \u00e9 de Haraway. HARAWAY &#038; LATOUR I give more space to the critic in the basement than Bruno Latour. I have more sympathy with critical theory than Bruno does \u2013 much more. And I\u2019m much more willing to live with [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":2938,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[68,58,13,12],"class_list":["post-2939","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fichamento","tag-deleuze","tag-guattari","tag-haraway","tag-latour"],"jetpack_featured_media_url":"https:\/\/www.laspa.slg.br\/wp-content\/uploads\/2025\/06\/HARAWAY-Donna-Haraway-2.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/posts\/2939","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/comments?post=2939"}],"version-history":[{"count":9,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/posts\/2939\/revisions"}],"predecessor-version":[{"id":2948,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/posts\/2939\/revisions\/2948"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/media\/2938"}],"wp:attachment":[{"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/media?parent=2939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/categories?post=2939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laspa.slg.br\/en\/wp-json\/wp\/v2\/tags?post=2939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}